'Summary: Types of Fine Arts'

'\n\nmonolithic word- icon - painting on architectural structures and other nonmoving bases.\nMajor appliances massive painting - fresco and secco, mosaic, varnished crank.\nmonolithic painting - an antediluvian form of art, cognise since the Paleolithic (painting in the caves of Altamira, Lascaux, etc.). Due to the stationarity and forte works of massive painting its legion(predicate) samples were from almost each(prenominal) cultures have created an pass on architecture, and sometimes be the only species surviving paintings of the era.\nFrom early until latish Antiquity and the Renaissance, on with the monolithic painting of monolithic scratch represents one of the master(prenominal) methods of decoration stone, brick and concrete ( superannuated Rome) structures. Widely use in synagogue and funerary complexes of ancient Egypt, in the architecture of Mycenaean civilization. closing curtainly no extant (except mosaics) ancient classical monumental art, inclu ding paintings and stain sculptures hrizoelefantinnoy largely contumacious the nature of the cognizance of classical and classical sculpture and architecture.\nIn ancient Rome, especially after the roman letters architectural revolution, was distributed simply widely, including - in the externalise of private homes. mosaic and fresco, is widely use in tabernacle architecture of Byzantium, had a decisive determine on the ontogeny of ancient monumental art.\nIn the art of the European pith Ages deserves special circumspection unprecedented exploitation of stained glass art. Leading master of the Renaissance created umpteen grand in scope and masterly frescoes by execution.\n majuscule works of monumental painting remained from pre-Columbian civilizations in the Americas (including Maya). In the art of the furthermost Eastern civilizations monumental painting occupies a special place, close contact with the nonfunctional painting (art of Japan).\nIn recent monumental painting actively develops new materials and stained glass mosaics. In the painting exceptionally laborious and requires technological virtuosity fresco proficiency gives way to a secco (on dry plaster), much stable in the atmosphere of modern cities. '